LIZ ELTON
  • Work
    • Work in Progress, Fitzrovia Gallery
    • Ground, Falling Away
    • Thin Skinned
    • Market
    • Tender (John Moores 2020)
    • Compost Bin
    • Till
    • Yield (Hill and Graft)
    • Vegetable Dye & Food Colouring works
    • Groundswell
    • Florence Trust
    • One Hundred Harvests (John Moores 2018)
    • Zero Gravity at mc3 Projects
    • PIYPaintLounge at Sluice
    • Small Isles
    • In Process
  • Video
  • Installation images
  • Prints
  • About / Bibliography
    • CV
    • Contact
  • Store
Archival quality digital pigment prints - please contact lizlelton@gmail.com for a pdf of available images, edition sizes and prices.


​Limited edition archival quality pigment prints (using conventional inks) on Hahnemuhle.  These are images of works that were originally made using compostable cornstarch, vegetable dyes from food waste, food colouring and silk.  The dyes included onion skins, pomegranate skins, avocado skins and stones, herbs, carrot tops, tea and the outer leaves of red cabbage.  

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​Compost Bin prints (achival quality pigment prints on Hahnemuhle).  Images of kitchen waste on the way to compost.  This ongoing diary was begun during Covid 19 lockdown in the UK, and shows vegetable trimmings from a vegetable box, onion skins from a rescue box from the local market when it reopened, flowers from a funeral when they couldn't be given away.  



​Images of work in the Outer Hebrides

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  • Work
    • Work in Progress, Fitzrovia Gallery
    • Ground, Falling Away
    • Thin Skinned
    • Market
    • Tender (John Moores 2020)
    • Compost Bin
    • Till
    • Yield (Hill and Graft)
    • Vegetable Dye & Food Colouring works
    • Groundswell
    • Florence Trust
    • One Hundred Harvests (John Moores 2018)
    • Zero Gravity at mc3 Projects
    • PIYPaintLounge at Sluice
    • Small Isles
    • In Process
  • Video
  • Installation images
  • Prints
  • About / Bibliography
    • CV
    • Contact
  • Store